OPENING MONOLOGUE - (INT. COMEDY CLUB - NIGHT)
JERRY:
So I saw this ergonomic keyboard the other day. It's split down the
middle, like it got divorced. Supposed to be better for your wrists. But
it looks like you're playing a tiny, broken piano. What's next,
ergonomic shoes? Each foot gets its own shoe? We'll be waddling around
like penguins.
SCENE 1: INT. MONK'S CAFE - DAY
JERRY: So Elaine, you're telling me you spent $150 on a
keyboard?
ELAINE: It's an investment, Jerry! My wrists were
killing me. This keyboard is supposed to be life-changing.
GEORGE: [Enters, agitated] My keyboard is
life-ruining!
JERRY: What happened? Did you spill your tuna sandwich
on it again?
GEORGE: Worse. Mr. Steinbrenner saw me typing. He said
my fingers looked like "frantic spiders." Now he thinks I'm nervous and
unstable.
ELAINE: Maybe an ergonomic keyboard would help?
GEORGE: I don't need a broken keyboard, I need a new
job!
KRAMER: [Slides in] Ergonomic? You know what's
ergonomic? Typing in mid-air!
[Gestures wildly] No strain, full
range of motion!
JERRY: You type in mid-air?
KRAMER: Not yet. But I'm working on it. Need a special
glove.
SCENE 2: INT. JERRY'S APARTMENT - DAY
ELAINE:
[Typing furiously on her new split keyboard] See? No pain! This
is amazing!
JERRY: You look like you're conducting an invisible
orchestra.
KRAMER:
[Enters, wearing a bulky, fingerless glove with wires attached]
Check it out! My air-typing glove! Just need to calibrate it.
[He flails his arms, knocking over a lamp]
JERRY: Calibrate it to what? Disaster?
KRAMER: Almost there... almost...
[He punches Jerry in the face]
JERRY: OW!
KRAMER: Whoops. Still a few bugs.
SCENE 3: INT. YANKEE STADIUM - DAY
GEORGE:
[Sitting at his desk, attempting to type discreetly]
MR. STEINBRENNER:
[Standing behind George, observing him] Still looks like
spiders, Costanza. Spiders on caffeine!
GEORGE: I'm trying a new technique, Mr. Steinbrenner.
It's called... uh... "Zen Typing." Very calming.
[Mr. Steinbrenner snatches the keyboard]
MR. STEINBRENNER: This thing is an antique! We're in
the Information Age, Costanza! I want you to have the latest technology!
Something... futuristic!
[He hands George Elaine's ergonomic keyboard]
SCENE 4: INT. MONK'S CAFE - NIGHT
JERRY: So Steinbrenner gave you Elaine's keyboard?
GEORGE: Yes! He loved it! Called it "bold,"
"visionary." Now I have to learn how to type on this... monstrosity.
ELAINE: [Enters, her wrists bandaged] My
wrists! They're worse than before! Turns out I was just typing too much
with the new keyboard, trying to get used to it.
JERRY: So you traded regular pain for ergonomic pain?
KRAMER: [Enters, triumphantly] Success! I
typed a whole email in mid-air!
[He shows them his phone. The email reads: "Jfiej rthe gdlkfj."]
JERRY: That doesn't even resemble words.
KRAMER: Close enough!
CLOSING MONOLOGUE - (INT. COMEDY CLUB - NIGHT)
JERRY:
So what's the deal with keyboards? You press buttons, letters appear.
It's not rocket science. But now we have all these different shapes and
sizes. It's like they're trying to reinvent the button. What's next, a
spherical keyboard? You roll it around on the floor like a bowling ball?
You'd need ergonomic knees for that.